Wednesday, November 25, 2009
TC: Under the Fortune Palms
.
Some people think meanings are hard to find
In the 1980’s decade of great emptiness
Among the bungalows of Samarkand
I stood under the fortune palms
And watched for a sign to blow by
In the throbbing Santa Ana
But all that came my way
Was the remote echo of a woman’s voice
From down around Xanadu Street
Calling for her dog to stay
The Flamingoes: Henri Rousseau, 1907 (private collection)
Tuesday, November 24, 2009
TC: Sunflowers
.
A clear night sky steeped in blue and green starlight
Hollow and deep as a huge sea shell flushed from within
And reddening as the rising god once again commands
The drowsy sunflowers to lift their heads and open their black eyes
Teaches us how the world begins all over the earth
How to greet one another in language beyond words
To depart unconcerned with any idea of return and perhaps
To at last begin to speak without not thinking
Sonnenblumen: Egon Schiele, 1911
Sunday, November 22, 2009
TC: Up the Creek
.
Had been trying to find its course for years
sans mechanical intervention
toward some thought somebody had had about something
but on the way kept getting lost in the tall weeds
and forgetting its purpose must have been
to arrive somewhere not to stay to splash
Wildbach (brook): Egon Schiele, 1918
Der Lyriker (The Poet): Egon Schiele, 1911 (Sammlung Leopold, Wien)
Thursday, November 19, 2009
Madison Avenue Portal Stopped Realities

Last night was a pure poetry night. It ended with Ted Greenwald and Kit Robinson tag-team reading at the Poetry Project. This is a truly inspiring and fun-filled barrage of verbiage, and the turn-taking insured the voice was always fresh. Earlier, it had been Hettie Jones and Tony Towle, hosted by Charles North at the Schimmel Theater at Pace University, in a night of poetry and reminiscences of Frank O'Hara. It was the perfect prelude to a night of language. Tony commented he thinks it's a sin "Second Avenue" is not in the new Selected and recommended people look up the old Selected with its terrific Larry Rivers portrait of the nude O'Hara on the cover. Hettie agreed and reminded us that she and LeRoi Jones had first published "Second Avenue" as a chapbook. Tony then mentioned the episode of Mad Men that includes a Frank O'Hara poem. I had never seen Mad Men, though I did read the January Jones article in GQ. I had to look up the clip. I think it's genius. Here's my comment on YouTube: "I love this reading of Frank O'Hara's poem — it brings out the darker, more depressive quality that underpins the buoyant optimism most people comment on in his work. It is the final section of the final poem in his first book. The book is MEDITATIONS IN AN EMERGENCY, and the poem is 'Mayakovsky.'" Here's the clip: Frank O'Hara on Mad Men I think Frank would have loved it too.
TC: A Glimpse of Hope
.
for Charlie Vermont
The bloom is short lived
evanescent spring
and fall after all -- C.V.
evanescent spring
and fall after all -- C.V.
Charlie,
Yes it's odd
how short the spring
how long the fall
and another thing
a poem
found in the lining
of an old winter coat
Yes it's odd
how short the spring
how long the fall
and another thing
a poem
found in the lining
of an old winter coat
Saturday, November 14, 2009
TC: The Blue Dress
.
I close my eyes
and see you at the age of 30
beyond the mist of affect
in your blue dress
so slim and Viennese
in the Sharons’ picture gallery
at Tissa’s party
a stormy night in 1974
with the ocean roaring
against the breakwater
I find you there with
all my projections
withdrawn at last
and what appears is
you in your blue dress
in this bewildering recurrent
intensified mind garden
I call creation
because you created it for me
Girl with blue pillow: Egon Schiele, 1913
Standing girl with blue dress and green stockings: Egon Schiele, 1913
Standing girl with blue dress and green stockings: Egon Schiele, 1913
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